![]() The House of Wax launched Price on his long and successful career as a star of horror movies. The 3-D process proved especially effective during the film’s climactic chase scene, in which the cloaked killer pursues Kirk’s character through a series of gas-lit streets and alleyways, with the viewer following along behind them. ![]() The lenses were specially tinted so that the viewer would see the right- and left-eye images only with the eyes for which they were intended. Moviegoers had to view The House of Wax through special stereoscopic glasses to see its full 3-D effect. Images from the two cameras were then projected simultaneously onto the screen. The 3-D filming process involved using two cameras, or a single twin-lensed camera, to represent both the right and the left eye of the human viewer. The film’s heroine, played by Phyllis Kirk, eventually discovers that Jarrod himself is the killer, and that the museum’s “sculptures” are all the wax-covered bodies of his victims. Jarrod survives the fire and later opens his own wax museum, featuring an exhibit immortalizing crimes past and present, including the murder of his ex-partner by a mysterious disfigured killer. The film told the story of Henry Jarrod (Price), a sculptor who goes insane after his partner burns their wax museum to the ground in order to collect the insurance payout. Released by Warner Brothers, it was the first movie from a major motion-picture studio to be shot using the three-dimensional, or stereoscopic, film process and one of the first horror films to be shot in color.ĭirected by Andre De Toth, The House of Wax was a remake of 1933’s Mystery in the Wax Museum. On April 10, 1953, the horror film The House of Wax, starring Vincent Price, opens at New York’s Paramount Theater.
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